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You were born an original. Don't die a copy, so be who you are and say what you feel, because those who mind don't matter and those who matter don't mind.

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My other blogs: thefawninspectacles.tumblr.com
shisntalwaysfromsherlockholmes.tumblr.com
theperksofiniquity.tumblr.com
fanfiction?
www.fanfiction.net/~bonniepatsy
deviantart?
bonniewilde

soufflegirl-who:

Teen Wolf Characters » I s a a c  L a h e y 

"End game for Isaac was for him to find a Safe Place with Scott in his pack."

doctorwholia:

i wanna look like someone who can cut you but still bakes cookies in her spare time

3B best of: Coach Finstock.

wonderous-world:

Photographer Matt Binstead captured these stunning photos of a TINY harvest mouse as it clinged to a dandelion blowing in the wind in the British Wildlife Centre in Lingfield. [Article]

for-the-love-of-laufeyson:

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Hogarth hand poses from Iron Giant (middle of page)

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 Mickey Mouse Hand Model Sheet by Les Clark ca. 1932

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Merlin hand poses via Deja View

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Hand drawing tut by uchuucacahuate on deviantart.com

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 Excellent hand tutorial by alexds1 on deviantart.com

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Mr. Hogarth – Dynamic Anatomy

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 Useful collection of hand poses by Chrissy Fellmeth

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Collection of female hand poses by artrush73′s

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Study of the hand in minimal style 

skrelp:

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painted-bees:

jeanox:

Little nugget of advice that really changed the way I approached painting. When I started blending like this it was a real turning point for my art quality.

Forgot to add that lighting conditions and other variables in a piece make the hardness you want to choose somewhat variable. Drawing things like skin is more of a hardness range than it is a hard rule. 

Eheh…get it? Hard rule? (aaaaaaaaaand i’m done). 

Haa thanks, I can’t even put into words how unappealing the overuse of a soft brush is when rendering. There have even been otherwise expertly painted images that were (in my opinion) ruined by that overly soft ‘airbrush’-y look that soft edged brushes give off. 

I mean, I just really hate soft edged brush in most cases. It’s definitely the fact that you can’t read any real confidence in the brush strokes of a soft edged brush. It makes it really difficult to nail down any solid shapes or forms in your painting. Weak vagueness both in brush strokes and with shape and form is generally not a good thing when painting.

 If I can tell a soft edge brush was used (a lot) in an image, I probably won’t like how it’s been applied.